18+ only · Fictional muses at the curator’s stand · A private, account-based studio
18+ only · Fictional muses at the curator’s stand · A private, account-based studio
AiPronPicks is arranged around a curator’s display stand in a deep teal studio: one stand, a row of plain blank mounting boards, and a single framed mount left ready for the character currently being made. Register one fictional adult character, write her curator card once, and mount the card on the stand; every tool in the studio — stills, video, edits, swaps, finishing — works from the card on the stand and from nothing else. The stand displays nothing but this studio’s own work in progress; it recommends nothing and ranks nothing. Costs are quoted before a job runs, results rest private in your account until you release them, and a failed job refunds itself. No anonymous use, no mystery pricing: a stand, a card, and a clear price sheet.
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Most studios make you re-describe your character at every tool and then wonder why she changes. AiPronPicks keeps one curator card at the curator’s stand and passes it down the line, read the same way every time. The Curator card beside each tool states its input, output and price before you commit a single credit, and credits themselves are studio credit only, with no cash value and no way to exchange or redeem them. The curator’s stand is studio furniture and method, nothing more.
Text-to-image for fictional adult characters. Write her curator card once and hold every later job to it.
In MotionText-to-video and image-to-video. Give a proven still one clear movement, quoted by duration and resolution first.
Guarded · TransformConsented transformations of your own photographs and your own generated characters. No one else’s material, ever.
RepairsOne precise change at a time — wardrobe, setting, light — for frames that miss by a single detail.
Hold the FaceCarry her face onto new stills, so a whole set still reads as one and the same woman.
FinishingFinished clips brought up to the size their destination requires. Finishing is the last stop, never the first.
Age, hair, build, face and one signature detail, in fixed lines you paste rather than retype. A card rewritten from memory drifts; a card pasted word for word holds.
Stills first, then motion, repairs and finishing — each job shows its exact credit cost before you confirm it, and each result is judged against the card before it is kept.
Everything rests private in your account. Upscale and publish only what earned it; the gallery shows only what makers deliberately put there.
The gallery shows only the frames and clips their makers chose to put on display. The house default is private; appearing here is always a deliberate decision by the person who made the piece, never an accident of the system.
Registration is free, and the daily check-in covers one standard picture a day. When the workload outgrows that pace, one-time credit packs wait at the pricing page — no subscription, no silent renewals.
Start at the curator’s standProduction notes on character consistency, prompt systems and delivery specs.
Visitors sometimes ask why the public gallery here is small next to the volume the tools can produce. The answer is the…
Enthusiasm is generous at the end of a long sitting, and finishing credits spent in that mood cannot be unspent. So every…
A curator mounts a piece once and then stops touching the mount. A character deserves the same restraint. Redescribed at every job,…
Your image is deleted after generation.
Browse filesFailed jobs are refunded automatically. Results land in My Collection.
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